It’s been sheer joy painting Lucas Pina’s Cormac bust (Black Crow). Every pose and gesture is super expressive, and the face shines with humanity. It’s my first time painting one of Lucas’s sculpts, but it will definitely not be my last.
I’m daydreaming of painting Cormac when I’m at work, eager to explore his character and effects. I have a clear plan of how I’ll handle the various textures, but the spirit of discovery will guide my brush.
I’ve gotten in the habit in recent months of mostly showing finished minis around ToadChapel, and I figured it might be fun to work through my next project with more of a log running. My next model is Cormac, a classic bust from Black Crow Miniatures that has been painted well in a variety of styles.
I’m hoping to bring to this project a clear aesthetic direction and the patience to see it through. I’ve been thinking a great deal about what I want my figures to look like, what my style is, and I intend to apply the fruits of that reflection to this model.
I was getting a little tired of painting space marines (my tolerance isn’t that high!), so I reached into my box of models and pulled out the Rogue Robot by Trovarion Miniatures. I was attracted to the variety of materials and textures and the interesting mix of familiar and fantastical elements.
This is a WIP shot, with substantial development still to come.
My friend and mini painting mentor David Colwell suggested that I work my way around the color wheel as a means of deepening my understanding of color. He suggested using space marines for the project, as their abundance of simple shapes (spheres, cylinders, cones, etc) would give plenty of practice with light placement, and their open spaces lots of opportunity to improve my blending.
This seemed like a great plan, and here is the first of the chromatic space marines.