My friend and mini painting mentor David Colwell suggested that I work my way around the color wheel as a means of deepening my understanding of color. He suggested using space marines for the project, as their abundance of simple shapes (spheres, cylinders, cones, etc) would give plenty of practice with light placement, and their open spaces lots of opportunity to improve my blending.
This seemed like a great plan, and here is the first of the chromatic space marines.
From the outset I’ve had in mind a exaggerated tall narrow wall behind the kobold to reinforce his diminutive stature and shabby urban surroundings. It took a while to get the finish right, but I’m finally happy with this:
For some reason the phrase ‘exotic meats’ sprang to mind to provide a little ominous backdrop to this sinister character. He clearly doesn’t do much cutting himself anymore, but he keeps that old knife sharp.
I still need to try to kill the shine from the many ink washes and I’m planning some streaky slime on the wall and a few plants sneaking between the cobblestones. It may actually take a while before the project is finished, but it’s mostly there.
After a delightful break from all mini related activity, which involved several days in the woods with my family, I’m back at this kobold (whom everyone calls a leprechaun) and starting to think about wrapping up the painting.
Here is where he stands now, needing gold NMM buttons, buckles, and bits and the inevitable tidying up before I move on to basing him.
I finished this incredibly expressive sculpt in two days, but produced one of my favorite, best, and best received pieces to date. I’ll tell you why he’s important to me.
I started an account on Putty & Paint back in January, filled with excitement, ambition, and a healthy dose of fear. The standards on the site are incredibly high, and I had no established identity in the mini painting hobby to fill my sails right off the bat.
I got some nice feedback (thanks!) on the base of my recently completed Maulg figure and a request to explain how I put it together. I happened to take some pictures along the way (for some reason I was giving a friend an unsolicited play-by-play), so I’m able to offer a pretty detailed tutorial on various aspects of the construction & finishing. I’m also happy to share some of my principles, planning, and intention when doing bases and vignettes.
Our man BaM is back with another great tutorial. He paints minis all day every day, and he has refined his techniques over many years. One thing he’s mastered for sure is gritty true metallic metals. This time he’s walking us through the creation of a TMM suit of darkened steel armor on a chaos warrior.
Our good friend John Margiotta, aka BloodASMedium, is back with another tutorial covering one of his specialties. This time he’s opening the hood on his heavily rusted iron/steel. I love the physical texture he achieves with this additive approach.
These beauties – er, uglies – form the Clan of the Bleeding Eye. John is always cranking out amazing units, and these spire tyrants turned to the worship of Nurgle look like they’ll prove no exception.
Ok, here’s how to produce an ultra-heavy rust effect suitable whenever you want maximum corrosion.