Cormac 20 X

It’s been sheer joy painting Lucas Pina’s Cormac bust (Black Crow). Every pose and gesture is super expressive, and the face shines with humanity. It’s my first time painting one of Lucas’s sculpts, but it will definitely not be my last.

I’m daydreaming of painting Cormac when I’m at work, eager to explore his character and effects. I have a clear plan of how I’ll handle the various textures, but the spirit of discovery will guide my brush.

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Rolf, My Boy, See If This Pot Fits on Your Head.

I have put the final brushstrokes on another bust from ZabaArts. This is Rolf, a dwarf with a, er, versatile hat.

As with all Zaba characters, Rolf has a ton of personality that is a joy to draw out and interpret with your brushes.

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The Acolyte

A week or so ago I finished this wonderful little mini bust from Maxime Penaud, AKA the Secret Workshop.

This model was a blast to paint, with interesting expression, volume, and materials, served up in a bite sized package that kept me focused on the achievement of my painting goals.

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Project Space Marine 2: Big Blue

I’ve been slow to post the latest entry into my space marine project, but here he is in all his transhuman glory. Working my way around the color wheel from green took me into Ultramarine territory.

I feel like I learned a good deal on this fellow and improved in some respects over the green meanie.

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Project Space Marine 1: I Dropped My Sandwich!

My friend and mini painting mentor David Colwell suggested that I work my way around the color wheel as a means of deepening my understanding of color. He suggested using space marines for the project, as their abundance of simple shapes (spheres, cylinders, cones, etc) would give plenty of practice with light placement, and their open spaces lots of opportunity to improve my blending.

A space marine in green power armor

This seemed like a great plan, and here is the first of the chromatic space marines.

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Exotic Meats

From the outset I’ve had in mind a exaggerated tall narrow wall behind the kobold to reinforce his diminutive stature and shabby urban surroundings. It took a while to get the finish right, but I’m finally happy with this:

For some reason the phrase ‘exotic meats’ sprang to mind to provide a little ominous backdrop to this sinister character. He clearly doesn’t do much cutting himself anymore, but he keeps that old knife sharp.

I still need to try to kill the shine from the many ink washes and I’m planning some streaky slime on the wall and a few plants sneaking between the cobblestones. It may actually take a while before the project is finished, but it’s mostly there.

Let me know about the little fellow’s new home.

~

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Sinister Shorty

After a delightful break from all mini related activity, which involved several days in the woods with my family, I’m back at this kobold (whom everyone calls a leprechaun) and starting to think about wrapping up the painting.

Here is where he stands now, needing gold NMM buttons, buckles, and bits and the inevitable tidying up before I move on to basing him.

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Angry Orc

I finished this incredibly expressive sculpt in two days, but produced one of my favorite, best, and best received pieces to date. I’ll tell you why he’s important to me.

I started an account on Putty & Paint back in January, filled with excitement, ambition, and a healthy dose of fear. The standards on the site are incredibly high, and I had no established identity in the mini painting hobby to fill my sails right off the bat.

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Fear by Firelight

I finished a mini in a week. Gotta be some kind of record for me!

What a wonderful sculpt. I enjoyed every part of the process. Best of all, I jumped into the OSL effect with both feet and didn’t crash and, ahem, burn.

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