I pointed out in a few recent posts that I often draw the same natural objects. I should have mentioned that I model them, too! Here is a sneak peek at a project I’ve been engaged in for a little while. I intend for it to serve several purposes.Continue reading “Forest Diorama First Look”
Today ToadChapel is proud to present a tutorial from the amazing Andy Gillaspy, aka AndyG. Andy is a true master of NMM style painting, but he’s always pushing himself in new directions. In that spirit, Andy has developed a way to render heavy rust in a non-metallic setting. Read on to learn how to add this technique to your bag of tricks. Thanks Andy!
I adore non-metallic metals. It’s my favourite way of painting metals. The control on where the highlighting goes, the matte finish which stops unwanted glints from metallic paints so that the mini appears to the observer the way that you want it to rather than how the lighting in the room reflects off metallic paints is for me worth the effort. This isn’t to say that TMM is not an exacting and difficult way of painting metals well; for example the work of SkellettetS and Megazord Man is superb and they use TMM most of the time.
That said, NMM for me. However, what to do with rust? There I have previously given in and used TMM rather than NMM and I have been very satisfied with the results; the slight application in rubbed spots of the metal concentrates the highlights where you want them anyway so the issues of glints appearing where you don’t want them doesn’t occur as the rest of the metal is oxidized with matte browns and oranges. It was quite a challenge to come out of my comfort zone and decide to see if I could paint realistic and aesthetically pleasing rusted armour with NMM. Continue reading “AndyG’s NMM Rust Technique”
Once again ToadChapel welcomes the über-creative Lee Hebblethwaite, aka 10Ball. In this tutorial 10Ball walks us through a process he uses to create expressive scenic trees that enhance the composition of his miniature bases. As you can see from the image below, the results can be spectacular. The method itself, though, could even be applied to gaming terrain. Thanks 10!
There are many ways to create miniature trees. Using real tree roots or sculpting from scratch can be very effective, but I find using a wire ‘skeleton’ frame can create a realistic form quicker than sculpting and offers more control to fit the look of the scene than trying to find the correct piece of tree root. Continue reading “Scratchbuilding a Miniature Wire Tree”
The great David Powell , aka Bailey03, joins us for this guest tutorial, explaining how to better paint highlights and surface reflections. Though David is a sublime figure painter, he’s also a remarkable teacher who always translates his ideas into practical advice. Read on for David’s tips that will immediately improve your mini painting. Oh, and to see some of his incredible work, too!
When I work with other painters, an area I often try to stress is how to properly paint highlights. Continue reading “Effective Highlights and Painting Different Material Finishes”
Until I met g0rb on CMoN, I had never heard of papermodeling. Chris Venter, as he is known outside the hobby community, is a regular visitor to the Work In Progress forum on Cool Mini, where he astounds us with his amazing vehicles built from cut paper and other found materials. I have been very impressed by his attention to detail, creativity, and commitment to improvement. Chris is definitely an artist to watch as he continues to evolve and develop as a modeller and sculptor. I asked him to share some reflections on his papermodelling. As you’ll see, his approach to papercraft bears on other aspects of the miniature hobby, and on the creative process itself.
Papercuts – or, How I Get from Cereal Box to War Machine
Over the last year or so I’ve fallen in love with scratchbuilding models. My weapon of choice is paper.
Land Raider, 2018 Continue reading “Papermodeling Principles”
John Margiotta joins us again to teach how he approaches one of his specialities: rust, grime, and corrosion. He’ll be painting up a classic 40k Plague Marine mini to show us how it’s done. Grandfather Nurgle will be proud!
Hello all, BaM here. On today’s tasty menu at the Chapel I’d like to introduce a small tutorial on how I went about painting the rust on my beautiful Deathguard that you may have seen in my gallery.
The great John Margiotta, aka BloodASmedium, visits ToadChapel to explore the concepts in contrast which have led him to countless major awards, including Golden Demon, Crystal Brush, and more over his career as a mini painter.
Here Hairster concludes his masterclass on painting verdigris & weathering on your minis.
Here’s Part 2 of Hairster’s step-by-step guide on how to paint the amazing patina effect on his Necron Doom Scythe.
This very special guest tutorial comes to you courtesy of Phil Pryce, aka Hairster. He is one of my favorite painters and has developed some impressive original techniques over recent years. In this three-part lesson Phil reveals his secrets for an amazingly rich and realistic verdigris effect.
You can check out more of Phil’s work on Instagram.