Almost exactly a year ago I finished a dwarf bust by Lukáš Žaba. I wanted to do another at this time, punctuating a weird, stressful, yet productive period in my life and representing my artistic growth over the last twelve months.
This is a piece that hopefully captures something of what I’m trying to convey in my painting. Deep colorful shadows, lively & complex skintones, and compositional focus were my aims.
This past weekend I dove into a familiar bust, Maxime Penaud’s Acolyte (Secret Workshop). I painted this model last Summer and liked it enough to get another copy. It was an interesting and inexpensive (though now sadly unavailable) mini for practice and experimentation.
This time around I was trying to work out some color ideas I’ve been chasing for months. I like it when the colors mix and pollute one another in the manner of an oil painting. I was trying to reproduce that magical luminous color that seems to emanate from within the prevailing hue.
I have the day off, and it’s time to start my next project. Why not take this Presidents’ Day as an opportunity to paint something topically historical?
I’m looking forward to trying to strike a balance between historical and fantasy norms, realism and the portrait style of Washington’s era. Hopefully this will be a quick project to help me feel productive in these cold dark isolated weeks.
I hope Presidents’ Day finds you healthy and happy, wherever you are. Stay tuned for pics of my cultist project.
For my next miniature project after Conan I decided I wanted to try a piece with very strong environmental light. I’ve been sitting on this great bust from Secret Workshop for months, and I finally felt ready to take on the challenge of painting it.
While not strictly OSL (there are no luminous objects present), the effect of the strong, directional ambient light aims at much the same thing.
Happy New Year, mini painting friends. 2020 has finally released her crushing grip. We are, of course, no better off than we were two days ago, but I believe in the psychological power of beginnings, even when nothing has ultimately changed. The new year is a time to set goals and define success in the months ahead. So I shall.
I’ve have finished painting the Road Girl academic bust by Journeyman Miniatures. When I started this project, I expected a fairly quick turnaround, but the model ended up taking nearly two weeks. This mini was challenging, but the challenges were mostly self imposed.
I had a lot of fun painting this bust, though I grew tired of painting things over and over in search of my best work. I’m not sure I’ll ever reach a standard I’m truly satisfied with, but I’m learning to strive to approach that level more closely. It tests my patience, focus, and stamina, but it’s making me a better painter.:
It’s been a while since I’ve added to the hobby tutorials on ToadChapel. Let’s remedy that! As we near Christmas, I’ve painted 18 miniature busts since COVID sent us all inside back in March, so I figure that would be a good subject to explore.
The essence of any bust is the face. Many busts consist of little more than the head. In this tutorial I’m going to focus mostly on painting the face, though I may make incidental reference to how I approach other elements on the model.