It’s been sheer joy painting Lucas Pina’s Cormac bust (Black Crow). Every pose and gesture is super expressive, and the face shines with humanity. It’s my first time painting one of Lucas’s sculpts, but it will definitely not be my last.
I’m daydreaming of painting Cormac when I’m at work, eager to explore his character and effects. I have a clear plan of how I’ll handle the various textures, but the spirit of discovery will guide my brush.
I’ve gotten in the habit in recent months of mostly showing finished minis around ToadChapel, and I figured it might be fun to work through my next project with more of a log running. My next model is Cormac, a classic bust from Black Crow Miniatures that has been painted well in a variety of styles.
I’m hoping to bring to this project a clear aesthetic direction and the patience to see it through. I’ve been thinking a great deal about what I want my figures to look like, what my style is, and I intend to apply the fruits of that reflection to this model.
I finally finished off the kobold from Blacksmith Miniatures. I only needed to iron out a few details on the basing and give him a pipe to smoke, but it took a few weeks to actually finish the job. Here are some shots of the finished project.
My friend and mini painting mentor David Colwell suggested that I work my way around the color wheel as a means of deepening my understanding of color. He suggested using space marines for the project, as their abundance of simple shapes (spheres, cylinders, cones, etc) would give plenty of practice with light placement, and their open spaces lots of opportunity to improve my blending.
This seemed like a great plan, and here is the first of the chromatic space marines.
From the outset I’ve had in mind a exaggerated tall narrow wall behind the kobold to reinforce his diminutive stature and shabby urban surroundings. It took a while to get the finish right, but I’m finally happy with this:
For some reason the phrase ‘exotic meats’ sprang to mind to provide a little ominous backdrop to this sinister character. He clearly doesn’t do much cutting himself anymore, but he keeps that old knife sharp.
I still need to try to kill the shine from the many ink washes and I’m planning some streaky slime on the wall and a few plants sneaking between the cobblestones. It may actually take a while before the project is finished, but it’s mostly there.