I’m almost finished with my little Roman tavern diorama. It’s been fun, if challenging at times. I’ve had a hard time streamlining the process to the bare minimum I’ll accept from myself, but I’m trying to produce a high (enough) quality piece with techniques and time investment I could reasonably expect from my teenage Latin students.
This is the diorama mostly completed. There are two 28mm figures, hopefully telling a simple and amusing story.
Here are the beginnings of a little tavern or popina somewhere in the Roman Empire.
The tile inside the shop, the plaster wall facing the street, and the sidewalk and cobblestone roadway are carved & textured out of styrofoam. The roof is layered corrugated paper. There’s a little wood & plastic card for structure. Everything is held in place with wood glue and super glue. The building surface is 4″x4″. Everything is to 28mm scale.
I finished off in just a few days another little test scene. I enjoy creating these little vignettes for their own sake, and I can practice techniques or experiment with ideas I might draw upon when I’m basing a mini in the future.
I think I’m going to call this little scene finished.
I experimented with my mushroom building process (that was useful), I tried adding some leaf litter (useful trial, but I’m going to keep working on it), and I failed, in my judgement, with the larger plants. I’ll keep working on that one.￼ Continue reading “Mushroom Preserve”
Today ToadChapel is proud to present a tutorial from the amazing Andy Gillaspy, aka AndyG. Andy is a true master of NMM style painting, but he’s always pushing himself in new directions. In that spirit, Andy has developed a way to render heavy rust in a non-metallic setting. Read on to learn how to add this technique to your bag of tricks. Thanks Andy!
I adore non-metallic metals. It’s my favourite way of painting metals. The control on where the highlighting goes, the matte finish which stops unwanted glints from metallic paints so that the mini appears to the observer the way that you want it to rather than how the lighting in the room reflects off metallic paints is for me worth the effort. This isn’t to say that TMM is not an exacting and difficult way of painting metals well; for example the work of SkellettetS and Megazord Man is superb and they use TMM most of the time.
That said, NMM for me. However, what to do with rust? There I have previously given in and used TMM rather than NMM and I have been very satisfied with the results; the slight application in rubbed spots of the metal concentrates the highlights where you want them anyway so the issues of glints appearing where you don’t want them doesn’t occur as the rest of the metal is oxidized with matte browns and oranges. It was quite a challenge to come out of my comfort zone and decide to see if I could paint realistic and aesthetically pleasing rusted armour with NMM. Continue reading “AndyG’s NMM Rust Technique”
With NOVA’s Capital Palette on the horizon, it’s time I got a base under Yarry. I had originally intended to put that mini on a round base, but I think I’ve come up with another solution that will work well.
This very special tutorial features a guest appearance from NMM maestro Lee Hebblethwaite, AKA 10Ball. Lee’s projects are always creative and feature some of the best non-metallic metal anywhere. I’m looking forward to trying a few of these ideas around ToadChapel soon!