I like to incorporate lots of my interests and creative output on ToadChapel, and sometimes I take a kind of unintended hiatus from one aspect of the site or another. I still love mini painting, though, and I’ve now got some time on my hands to dip back into some longer term projects that have daunted me for a while.
I’m going to try to buckle down and finish off this little bust from Lukáš Žaba. I started him a while ago but sort of lost steam. I think I succumbed to the paralysis that visits us when we fixate on how good, and how much better, every detail ought to be. I think I’m ready to just dive in, do my best, and move on the the next thing. If I have fun painting and learn a thing or two (which I already have), then he’ll be a success.
And since I’ve got nothing else to do, I’ve also got another 40k Kill Team project started!
Our pal g0rb is back with a smashing tutorial on the scratchbuilding and weathering of a space hulk-themed display platform for your miniatures. Chris is an ultra-creative and unorthodox hobbyist who always has something new to show us.
In this article I am going to show you the steps I took in scratchbuilding a weathered spaceship corridor interior. I used this kind of technique for the space ship corridor in my Space Hulk diorama.
Instead of a diorama base, I will be building a display platform. This platform can be used as a photography backdrop or to display finished models on. The steps used in construction and weathering can of course be applied to anything else that needs weathering.
ToadChapel’s friend and regular contributer Lee Hebblethwaite returns to introduce another fun and effective technique to spice up your mini painting. Though 10Ball is better known for his outstanding NMM, he also knows a thing or two about gorgeous true metallic metals. Read on to learn how Lee makes use of liquid mask to lend character to his corrosion!
I’ve found time here and there to complete another little vignette. This one features a dead tree, which I haven’t done in a while. As usual, this one is a kind of lesson to be applied in basing minis, as well as a little imaginative refuge in its own right.
The great John Margiotta, aka BloodASmedium, visits ToadChapel to explore the concepts in contrast which have led him to countless major awards, including Golden Demon, Crystal Brush, and more over his career as a mini painter.
I’ve followed a straightforward and consistent method in painting the Dark Angels for my 40k Kill Team. This produces a uniform look to my squad, even though the individual members have been painted over many months. I’ve done my figures one-by-one, since they’re each kitbashed & converted to create a unique personality for each, but this painting process would work equally well for batch painting. Moreover, the steps I employ can be applied to any Space Marine chapter, or indeed any 40k army. In this process I paint full faces (yes, for my whole command roster) and carefully pick out the many details added through conversion, but much of the mini is painted quickly and easily in a very elementary manner. I find that by drawing attention to the most important and interesting elements on the miniature, the lack of careful blending or other advanced techniques is easily forgiven, especially on the tabletop. This approach also gives a great opportunity to practice important skills, like painting faces, before you tackle that Commander you really want to nail. Kill Team, with its limited roster, offers a perfect opportunity to go nuts on conversion, detailing, and faces, without actually painting models to a display standard.