Mini Painting Validation

I’m back from DC with a gold medal and Best in Category (journeyman, single figure) for ‘Into the Wild‘!

Four Display Minis I Submitted to the Painting Competition at the NOVA Open 2019 in Washington DC

Read on to learn more about my championship weekend at the NOVA Open. Continue reading “Mini Painting Validation”

AndyG’s NMM Rust Technique

Today ToadChapel is proud to present a tutorial from the amazing Andy Gillaspy, aka AndyG. Andy is a true master of NMM style painting, but he’s always pushing himself in new directions. In that spirit, Andy has developed a way to render heavy rust in a non-metallic setting.  Read on to learn how to add this technique to your bag of tricks. Thanks Andy!

AndyG's beautiful Wraith from Black Crow Miniatures

I adore non-metallic metals. It’s my favourite way of painting metals. The control on where the highlighting goes, the matte finish which stops unwanted glints from metallic paints so that the mini appears to the observer the way that you want it to rather than how the lighting in the room reflects offs metallic paints is for me worth the effort. This isn’t to say that TMM is not an exacting and difficult way of painting metals well; for example the work of SkellettetS and Megazord Man is superb and they use TMM most of the time.

That said, NMM for me. However, what to do with rust? There I have previously given in and used TMM rather than NMM and I have been very satisfied with the results; the slight application in rubbed spots of the metal concentrates the highlights where you want them anyway so the issues of glints appearing where you don’t want them doesn’t occur as the rest of the metal is oxidized with matte browns and oranges. It was quite a challenge to come out of my comfort zone and decide to see if I could paint realistic and aesthetically pleasing rusted armour with NMM. Continue reading “AndyG’s NMM Rust Technique”

Effective Highlights and Painting Different Material Finishes

The great David Powell , aka Bailey03, joins us for this guest tutorial, explaining how to better paint highlights and surface reflections. Though David is a sublime figure painter, he’s also a remarkable teacher who always translates his ideas into practical advice.  Read on for David’s tips that will immediately improve your mini painting. Oh, and to see some of his incredible work, too!

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David Powell's fearsome black orc (an academic bust from Hera Models) glares at the viewer. There is a subtle interplay of highlights between a universal light sourse and OSL cast by a fire.

When I work with other painters, an area I often try to stress is how to properly paint highlights. Continue reading “Effective Highlights and Painting Different Material Finishes”