My friend and mini painting mentor David Colwell suggested that I work my way around the color wheel as a means of deepening my understanding of color. He suggested using space marines for the project, as their abundance of simple shapes (spheres, cylinders, cones, etc) would give plenty of practice with light placement, and their open spaces lots of opportunity to improve my blending.
This seemed like a great plan, and here is the first of the chromatic space marines.
Painting Maulg was a serious investment of time & effort, taking well over a month, and my OSL experiment mini bust, which I called ‘What Have We Done?’, was short but intense. I wanted a little palette cleanser while I waited for some models to arrive, so I pulled out this dinosaur I’ve had for years.
I got some nice feedback (thanks!) on the base of my recently completed Maulg figure and a request to explain how I put it together. I happened to take some pictures along the way (for some reason I was giving a friend an unsolicited play-by-play), so I’m able to offer a pretty detailed tutorial on various aspects of the construction & finishing. I’m also happy to share some of my principles, planning, and intention when doing bases and vignettes.
Our man BaM is back with another great tutorial. He paints minis all day every day, and he has refined his techniques over many years. One thing he’s mastered for sure is gritty true metallic metals. This time he’s walking us through the creation of a TMM suit of darkened steel armor on a chaos warrior.
Our good friend John Margiotta, aka BloodASMedium, is back with another tutorial covering one of his specialties. This time he’s opening the hood on his heavily rusted iron/steel. I love the physical texture he achieves with this additive approach.
These beauties – er, uglies – form the Clan of the Bleeding Eye. John is always cranking out amazing units, and these spire tyrants turned to the worship of Nurgle look like they’ll prove no exception.
Ok, here’s how to produce an ultra-heavy rust effect suitable whenever you want maximum corrosion.
I’m going to try to buckle down and finish off this little bust from Lukáš Žaba. I started him a while ago but sort of lost steam. I think I succumbed to the paralysis that visits us when we fixate on how good, and how much better, every detail ought to be. I think I’m ready to just dive in, do my best, and move on the the next thing. If I have fun painting and learn a thing or two (which I already have), then he’ll be a success.
And since I’ve got nothing else to do, I’ve also got another 40k Kill Team project started!
Our pal g0rb is back with a smashing tutorial on the scratchbuilding and weathering of a space hulk-themed display platform for your miniatures. Chris is an ultra-creative and unorthodox hobbyist who always has something new to show us.
In this article I am going to show you the steps I took in scratchbuilding a weathered spaceship corridor interior. I used this kind of technique for the space ship corridor in my Space Hulk diorama.
Instead of a diorama base, I will be building a display platform. This platform can be used as a photography backdrop or to display finished models on. The steps used in construction and weathering can of course be applied to anything else that needs weathering.
There are a few poisonous fungi in these woods, but Granny knows what’s good and what’s not.
My plan is to add a few animals to complete the scene, but I’m basically done with this fun project at last. Don’t forget to check out the tutorial on sculpting the mushrooms I have scattered throughout this diorama.
… but she’ll never reveal her secret mushroom honey hole!
I think I’m done (though I’ve already said that well over a dozen times today). She was a lot of fun to paint, but I wrestled with this mini over and over, trying to improve the face. I think I’ve done about as well as I can.
Read on to check out some other very slow moving action shots of granny!