Well, my loyal followers know I’ve been a wicked boy and haven’t published many minis since this Spring. I’ve actually been painting up a storm, but I’ve been too engaged with other things to document my productivity. Rather than put out a large number of small posts, I figure I’ll make a single post to share all the models I’ve finished since April.
Last week I found myself in search of a project that would challenge me and take me from my comfort zone, but that I could regard as an experiment rather than a piece to be finished to display level. I ended up pulling the Logan, er, human academic bust from Hera out of my box of resin.
Almost exactly a year ago I finished a dwarf bust by Lukáš Žaba. I wanted to do another at this time, punctuating a weird, stressful, yet productive period in my life and representing my artistic growth over the last twelve months.
This is a piece that hopefully captures something of what I’m trying to convey in my painting. Deep colorful shadows, lively & complex skintones, and compositional focus were my aims.
This past weekend I dove into a familiar bust, Maxime Penaud’s Acolyte (Secret Workshop). I painted this model last Summer and liked it enough to get another copy. It was an interesting and inexpensive (though now sadly unavailable) mini for practice and experimentation.
This time around I was trying to work out some color ideas I’ve been chasing for months. I like it when the colors mix and pollute one another in the manner of an oil painting. I was trying to reproduce that magical luminous color that seems to emanate from within the prevailing hue.
I’ve have finished painting the Road Girl academic bust by Journeyman Miniatures. When I started this project, I expected a fairly quick turnaround, but the model ended up taking nearly two weeks. This mini was challenging, but the challenges were mostly self imposed.
I had a lot of fun painting this bust, though I grew tired of painting things over and over in search of my best work. I’m not sure I’ll ever reach a standard I’m truly satisfied with, but I’m learning to strive to approach that level more closely. It tests my patience, focus, and stamina, but it’s making me a better painter.:
A few days ago I finished painting Touille, a delightful new miniature from Blacksmith. The model gave me a chance to continue my exploration of strong saturated colors, complex color composition, and vivid skintones.
I enjoy peaceful, happy, whimsical minis. Too often I show my enthusiastic two-year-old daughter a figure I’ve painted, only to have her point out that he’s ‘really grumpy’ or ‘really scary’. When I find an excellent sculpt like this one, then, that I know will catch her eye, I’m excited to get my hands on it. To be clear, these are also the kind of miniatures I like to paint most. I have no more fondness for demons clutching severed heads than my daughter does. Ok, maybe a little.