Hawley’s Crab

Continuing our catalogue of exotic microfauna, here is Hawley’s crab, also called Hawley’s manta ray.

An example of the Lovecraft-esque Hawley's crab collecting a gyron.
A monster on the smallest scale, Hawley’s crab hunts and devours the gyrons themselves.

In the plate above a fully grown specimen can be seen preparing to ingest a gyron. Gyrons form the entire basis of the organism’s diet. Contrary to scientific consensus and popular opinion, gyrons are neither indestructible nor innumerable. Indeed, Hawley’s crab is but one of several known species which threaten the fabric of reality by feeding upon its most basic constituent.

Hawley’s crab is very tiny indeed. Recall that Dr. Meno demonstrated in his seminal Cats, Atoms, Gyrons, Aether, and the Universe that the span of a gyron is only 10-35 the length of a salami.

Shadows of the Past

Driving 8.5 hours from Pittsburgh to Connecticut, we broke up the trip by overnighting with my parents midway. I was happy to see these old friends again.

These are over twenty years old. I made them in high school when my imagination was deeply colored by the classic American weird writers Edgar Allen Poe & H.P. Lovecraft. Some classics merit acclaim, or attention, or whatever they merit chiefly due to their influence, but others stand on their own artistic achievement even today.

The urgent and concrete terror both authors can convey in their fiction holds up well to the modern reader. Poe’s Tell-Tale Heart introduced me to psychological horror around age twelve and has stuck with me for the next two and a half decades. The cataclysmic emotional release at the end of the tale demonstrated what a well crafted short story could accomplish. Lovecraft typically paints in dread rather than pandemonium. When I first discovered Lovecraft at fourteen I read (like so many of his protagonists) too much too quickly and ended up scared to walk down the dark hallway at night. I was certain that there were ghouls ready to pounce on me from the shadows!

My ceramics teacher, Jim Shirk, was a supportive mentor and always allowed me to create my own projects rather than follow his syllabus. I can remember the incredible schematic drawings he would spontaneously produce whenever we asked for creative advice and his beautiful, meticulous handwriting. Jim is a wonderful artist who, like me, loves to capture Nature’s beauty in his work. These two sculptures always evoke fond memories of my time learning from him.

Eldritch Elf: 12 XII 18

Let’s get a little light on this situation!

There’s little left to do on this fun project. Most important had been the painting of the illuminated portions of the lamp.

My idea was to use pointillism to create a weird but not immediately implausible effect. I wanted the light to look dingy. I also wanted the lamp to function almost like a black hole, sucking most of the light around it into itself. Hopefully the chiaroscuro makes a bit more sense now!

The lamp is painted sort of reverse OSL, I guess, where the object emits light only directionally. Continue reading “Eldritch Elf: 12 XII 18”

Textual Innuendo

When I create something like the Gilman House, my first step and constant reference is the actual text I’m recreating.

We learn in ‘The Shadow over Innsmouth‘ that Gilman House is yellow, the buildings are made of brick, the street is cobblestone, and the sign for the hotel is “half-effaced.”

I’ve split the difference between the color and the bricks, as I intend to do some enamel or ink weathering on the plaster. Always looks good. Continue reading “Textual Innuendo”