I’m not sure why, but I had a mind to draw a bit of knitting. My mom really likes to knit, and maybe I was looking at one of the hats she has given me. But I was suddenly seized with the urge to try out the texture of wooly clothing with my pens, markers, and colored pencils.
I drew this yesterday. The colors are mostly Copics (with a tiny touch of Prismacolor colored pencil). The pens are all Pigma microns, black, sepia, and brown. I really like it. I just like looking at it. I was very flattered when my daughter Cassie tried to feel the little bumps.
I’ve been busy or, more accurately, heavy with responsibilities lately. Not important stuff, but stuff that had to get done. It’s part of my job and it’s predictable, but it still takes me out of my routine and puts me off my stride emotionally.
As soon as I was able I carved out a little time to do some drawing. I can get an illustration completed in a couple of hours, so it’s a really effective way to reconnect with my creative energies.
Cassie & I were able to hit the trails for the first time in weeks yesterday. Lately it’s been either dry and cold or warm and wet, but never nice enough for a good hike. Our excursion was great fun, even though the woods were pretty drab. Here are a few of our finds!
Our pal g0rb is back with a smashing tutorial on the scratchbuilding and weathering of a space hulk-themed display platform for your miniatures. Chris is an ultra-creative and unorthodox hobbyist who always has something new to show us.
In this article I am going to show you the steps I took in scratchbuilding a weathered spaceship corridor interior. I used this kind of technique for the space ship corridor in my Space Hulk diorama.
Instead of a diorama base, I will be building a display platform. This platform can be used as a photography backdrop or to display finished models on. The steps used in construction and weathering can of course be applied to anything else that needs weathering.
ToadChapel’s good friend Lee Hebblethwaite, aka 10Ball, returnswith another tutorial that will give you a glimpse into how he achieved a stunning, unearthly effect on the skin of his recent Shaetann bust. Trust me, you don’t want to miss this one!
I’ve had quite a response to my latest project, Shaetann (by Raul Garcia Latorre), which is lovely to hear, and it’s always a bonus when people ask how I’ve gone about certain aspects of a miniature. So in response to a number of requests about the bust’s unusual skintones here’s a small write up on my approach and my thoughts about painting it.
Read on for a breakdown of how you can pull off this incredible effect.
There are a few poisonous fungi in these woods, but Granny knows what’s good and what’s not.
My plan is to add a few animals to complete the scene, but I’m basically done with this fun project at last. Don’t forget to check out the tutorial on sculpting the mushrooms I have scattered throughout this diorama.